Showing posts with label time travel. Show all posts
Showing posts with label time travel. Show all posts

Saturday, November 5, 2022

Review: Travel by Bullet (The Dispatcher #3), by John Scalzi, 2022

Travel by Bullet Travel by Bullet by John Scalzi
My rating: 4 of 5 stars

Travel by Bullet (The Dispatcher #3), by John Scalzi, 2022

Third in the Dispatcher series, Travel by Bullet is an Audible Original narrated by Zachary Quinto. The story seems to take place in our current timeline or very close to it, along with Teslas, Cryptos, and post-Covid pandemic (is that really over though???). 

Tony is our hero, a "dispatcher" in a hospital emergency room, and is unwillingly thrown into a web of shady schemes and plots involving billions of dollars, Cryptocurrencies, real estate scams, and murders-- or is it really murders?. Dispatchers have the job of essentially killing a person and sending them back in time earlier in the day. 


Short, fun, and entertaining. Mostly a detective-like mystery storyline with a touch of sci-fi for the plot device (more of a plot voucher, actually). A villain triangle (as opposed to a love triangle) was effectively used to move the story to a conclusion. A self-referencing (in a meta kind of way) MacGuffin was even thrown in for good measure. 

I've enjoyed very few Audible originals, and this is one of them. I'm such a fan of Scalzi, but I needed something new and different from his Interdepency space opera series, and this satiated my appetite.

I rate this audiobook 4 out of 5 stars.

View all my reviews

#JohnScalzi #TravelByBullet #DispatcherSeries

Monday, December 30, 2019

Endymion (Hyperion Cantos, #3)


Endymion (Hyperion Cantos, #3), by Dan Simmons

Endymion” by Dan Simmons is the third book in the Hyperion Cantos series While “The Fall of Hyperion” immediately follows “Hyperion,” “Endymion” picks up more than 300 years after the second installment.  So far, all three books have been quite different.  This installment follows Raul Endymion of Hyperion, the future messiah Aenea, and the android Bettik as they go on journey over many planets.
                                                         3977

What’s interesting is how this book is told from the point of view of two characters, Raul Endymion, and Father Captain Federico de Soya and generally centering around Aenea. A late introduction from the character Nemes was probably introduced to help move the book to close. 

While satisfying enough to warrant the hefty length of the novel, the ending felt rushed and loosely ended, clearly setting up the stage for the final installment of the Cantos. The strength of the author’s writing is ability to build world as clearly demonstrated with his character’s lack of depth as most of his characters are more ideas and archetypes than people with personalities fleshed out; Aenea is the standard “chosen one”, Father Captain de Soya is the typical military man growing to question his morality and righteousness, and the main enigmatic antagonist Nemes is the “baddy”, though introduced late but worth the wait for the final battle with the Shrike.

Enjoyable and worth the read if you enjoyed Hyperion and Fall of Hyperion, which comprises the first duology of the Hyperion Cantos.
One word of warning: the mystery posed in the opening pages of "Endymion" remains unresolved at the end.

I rate the book 4.75 out of 5 stars.

Tuesday, June 19, 2018

"Replay", Ken Grimwood, 1986

"Replay", Ken Grimwood, 1986

The book’s plot is reasonably simple, if fantastic — a 43 year old man dies in the first chapter of a heart attack after a lackluster life. But then he wakes up and he’s age 18 again, just starting college with everything identical to how it had been during his first life. More important, he remembers everything about his life from age 18 to 43 (anyone interested in buying some Apple stock this time around?).
He uses that prior knowledge of his own life as well as his knowledge of history to live his life differently the second time around. But when he gets to be the same age as before, he dies again. He wakes up again … rinse and repeat with a different life strategy each time. But there is one complication he doesn’t notice at first — each time he wakes up after a death, it is a later point in his life. So each life is shorter than the one before. What is going to happen when his replay-date finally catches up to his death-date?
I not only enjoyed the writing style but also the author’s imagination. How many things would you change if you had the opportunity to live your life again? We make decisions, we begin or end or avoid relationships, we commit (or not) to various activities and people, we decide how important money, family and friends are to us. But in the end, the only important resource we really have in our life is time, and the only meaningful decisions we make are how to spend that time in the best way to have a life that is rewarding in our own value system.
Unfortunately Ken Grimwood died at only 59 of (ironically) a heart attack as he was writing the sequel to Replay.

My rating: ★★★ (4 out of 5 stars) - I really liked it.
_________________________________________
https://en.wikipedia.org/wiki/Replay_(Grimwood_novel)

Characters and story[edit]

Replay is the account of 43-year-old radio journalist Jeff Winston, who dies of a heart attack in 1988 and awakens back in 1963 in his 18-year-old body as a student at Atlanta's Emory University. He then begins to relive his life with intact memories of the next 25 years, until, despite his best efforts at cardiac health, he dies of a heart attack, again, in 1988. He immediately returns to 1963, but several hours later than the last "replay". This happens repeatedly with different events in each cycle, each time beginning from increasingly later dates (first days, then weeks, then years, then ultimately decades). Jeff soon realizes that he cannot prevent his death in 1988, but he can change the events that occur before it, both for him, and for others.
During one subsequent replay, Jeff takes notice of a highly acclaimed film, Starsea, that has become a huge success at the box office in 1974. The film is written and produced by an unknown filmmaker, Pamela Phillips, who has recruited Steven Spielberg to direct and George Lucas, as a special effects supervisor, before the two shot to stardom with their own projects. Because the film did not exist in previous replays, Jeff suspects that Pamela is also experiencing the same phenomenon. He locates her and asks her questions about future films which only a fellow replayer would know, confirming his suspicions.
Pamela and Jeff eventually fall in love and become convinced that they are soulmates. Complications arise when they notice that their replays are getting shorter and shorter, with Pamela not beginning her next replay until well after Jeff. Eventually, the two decide to try to find other replayers by placing cryptic messages in newspapers. The messages, which seem very vague to anyone who is not a replayer, generate a fair amount of dead-end responses until the pair receives a letter from a man who is clearly knowledgeable about future events. Jeff and Pamela decide to visit the stranger, only to discover that he is confined to a psychiatric hospital. Surprisingly, the staff does not pay attention to his discussion on the future, but it soon becomes clear why the man is institutionalized when he calmly states that he thinks aliens are forcing him to murder people for their own entertainment.
In a later replay, the two decide to take their experiences public, giving press conferences announcing future events in explicit detail. The government eventually takes notice and forces Pamela and Jeff to provide continued updates on foreign activities. Although the government denies responsibility, major political events begin to transpire differently, and Jeff attempts to break off the relationship. The government refuses, and the pair are imprisoned and forced to continue providing information.
As future replays become shorter and shorter, the two are left to wonder how things will eventually unfold—whether or not the replays will ultimately end, and the pair will pass into the afterlife—or if the current replay is, in fact, the last. Eventually, the replays become so short, Jeff and Pamela relive their original deaths repeatedly in succession—until Jeff finally has a heart attack which he manages to survive. While he calls Pamela soon afterward, she lets him know that she has also survived, and that their replaying wasn't a dream. While it seems ambiguous whether or not they will meet again, Jeff eagerly awaits entering an unpredictable future with endless possibilities.

Awards and nominations[edit]

Replay won the 1988 World Fantasy Award[2] and was on the shortlist for the 1988 Arthur C. Clarke Award.
The novel has been included in several lists of recommended reading: Modern Fantasy: The Hundred Best Novels (1988), Locus Reader's Poll: Best Science Fiction Novel (1988), Aurel Guillemette's The Best in Science Fiction (1993) and David Pringle's Ultimate Guide to Science Fiction (1995).

Sequel and possible film adaptations[edit]

Ken Grimwood was working on a sequel to Replay when he died from a heart attack in 2003 at the age of 59.[3] In 2010 Warner Bros. reported that it was planning on a film version starring Ben Affleck. The screenplay for this adaptation has been written by Jason Smilovic.[4] In 2011 Robert Zemeckis was in talks to direct,[5] but as of 2017 no movement seems to have been made on the project.

Tuesday, February 13, 2018

"Pilot X" by Tom Merritt, 2017

"Pilot X" by Tom Merritt, 2017

Time travel is a tricky genre. It’s an equally tricky concept in general. While we’re all familiar with the idea of time travel, it can be difficult to wrap your head around it sometimes – especially when it’s integral to a particular story. Sometimes time travel is merely a frame through which to tell a story and the creator is perfectly happy just letting it happen without much explanation. Others develop convoluted rules to keep themselves and the story in check. Pilot X is something of the latter.

It’s a story that would not exist without time travel. But instead of focusing on just the time travel itself, author Tom Merritt creates a universe where time travel is simply a part of life. The titular character, Pilot X (who later takes on other titles besides just Pilot), is a member of a race that has mastered time. The Alendans can move freely across both time and space in specially engineered ships and Merritt creates a whole universe where this is seen as normal.

There is some really serious political/societal upheaval going on throughout this book and poor Pilot X finds himself wrapped up in all of it – like it or not. And, to be fair, he does at first. When he starts to realize that people from the future are regarding him with more credit than he’s due at a particular time, he gets excited. We all do. We want to know what comes next.

But what comes next isn’t all that simple. Nor is it always that easy to follow. Pilot X gets wrapped up in all kinds of crazy, secretive things going on behind the curtains. He makes discoveries about his own people and is forced to make difficult decisions that change the face of the universe and time as it’s known forever. The journey there is filled with training, diplomatic missions, betrayal, and more. And while it’s an entertaining ride it’s also a challenging one.

It doesn’t help that besides Pilot X and his ship, Verity, it’s hard to really connect with or care about the characters. Still, Pilot X has a very unique voice and perspective. He’s grown up in a world so unlike our own and while he’s seems mostly familiar, at times it’s very obvious how different his perspective on this can be. Pilot X is what made this book so memorable for me. His journey – from ambitious pilot until the end when he’s a man faced with some very difficult, universe-shattering choices – is engaging regardless of how complex and complicated it might be at a certain point.

Fans of time travel and science fiction who don’t mind a few complex twists are going to really enjoy this book. Casual readers might struggle with it a bit and the less interesting parts may cause them to run out early. But for those who stick it out, Pilot X is an entertaining, at times thought provoking read!

My rating: ★★★☆☆ (3 out of 5 stars) - I liked it.

Saturday, June 4, 2016

"The Last Town (Wayward Pines #3)", by Blake Crouch, 2014

"The Last Town (Wayward Pines #3)", by Blake Crouch, 2014

Although the weakest of the three books so far in the set, The Last Town still is both
exhilarating and frustrating. It is virtually impossible for readers to not become absorbed in the chaos that ensues as the "abbies" enter Wayward Pines. The graphic descriptions of death and the emotional ties to characters I have come to love keep me invested until the very end. 

The introduction of a new characters creates a sub-conflict that is nearly as powerful, and possibly even more gripping than the battle that ensues in Wayward Pines. As I witness the evolution of characters as they are faced with almost certain death, I will found myself wanting more. This is where Crouch falls short. Rather than further harnessing that evolution of character, nearly two-thirds of The Last Town focuses on fighting. Though the graphic portrayal of death is often thrilling, it eventually loses stamina. Eventually the potential for boredom while reading about yet another house that is invaded by the "abbies" becomes real. There's very little to imagine since the outcome is obvious. That being said, the other aspects of the novel far outweigh the hundred or so pages of fighting. 

When I reached the end of a novel and was so frustrated to find that there really is nothing on the next page; when I searched the Internet in hope that although this is a trilogy and although it is hailed as "the final installment" there indeed are plans for a 4th book; when I read the last page over and over again hoping to find something that was missed — the author knows he's accomplished his task. Well done Blake Crouch. Fortunately for those readers searching for more, FOX has brought Wayward Pines to television in a miniseries, which is currently airing/streaming.

★★★★☆ (4 out of 5 stars)

Thursday, June 2, 2016

"Wayward (Wayward Pines #2)", by Blake Crouch, 2013

"Wayward (Wayward Pines #2)", by Blake Crouch, 2013

A thoroughly satisfying read that combines a lot of genres and tropes, Wayward will have you turning
pages to see how it all ends. The climax though takes things to a whole different level and leaves you desperately craving for the next volume. Wayward is another crackerjack thriller from the mind of one of the best thrillers writers out there.

Wayward is the sequel to Pines and a book that was highly anticipated and yet out-scored my anticipation. Firstly before even I begin my review, I would like to announce that to even discuss the blurb will be spoilery for the first book Pines. So those folks who haven't read the first book and don't want their read ruined in the least. STOP and go read Pines...

Now for those of you who have read and loved Pines, welcome and I must say you will love the second outing by Blake Crouch as he explores the strange town of Wayward Pines and its inhabitants. This book further illuminates the town of Wayward Pines through Ethan Burke but with a crucial difference, he’s an insider now unlike the previous volume wherein he was the enemy. Ethan after the events of the previous books has now been elevated to the position of Sheriff and is tasked with the town’s safety. Sheriff Ethan has seen what truly lies outside of the town's boundaries and it is forcing him to co-operate with the town's creator and protector so as to speak. After facing the end of the barrel in the last book, he finds himself quite perturbed to be on the other side and forcing people to do what he ultimately disobeyed. He has gotten his family back but is still irked by all that is hidden from the majority of the town’s population. The story though begins when a murder occurs and it falls upon Ethan to investigate the death.

My rating: ★★★★ (5 out of 5 stars) Just Wow!

Wednesday, May 11, 2016

"The Fullness of Time" by Kate Wilhelm, 2012

"The Fullness of Time" by Kate Wilhelm, 2012

Hiram Granville, a modern Leonardo, secured more than a thousand patents during his lifetime, often just ahead of others who had already been working the same ideas. His son John, an economics genius, never lost a cent in the stock market or any other financial deal and was investigated for insider trading on more than one occasion. Now Cat, a documentarian; her researcher, Mercy; and Cracker Jack, an electronics whiz, are preparing to do a documentary about the Granville clan. What they find as they research the family is madness, suicide, a seemingly total seclusion, and a frightening glimpse about what it means to peer into the future.

It is a novella and it’s tough to talk about the plot without giving too much away. The concept is
interesting, that “seeing” the future is possible and exploitable. And it’s that possible exploitation, both of the knowledge you could gain and the people capable of doing it, that drives the second half.

My main complaint has to do with the lack of development of the characters. They went through the motions, and I will say the plot had a few twists I didn’t see coming, but I didn’t understand why Cat and, especially Mercy, cared so much. Yes, she spent an afternoon with the man before he dies, but why was that enough for her to change her whole life?

The first half was quite interesting right off the bat and showed a lot of promise, while the second half seemed to have been rushed by squandering all the potential and groundwork laid out the first half accomplished.

My rating ★★☆☆☆ (2 out of 5 stars) - It was ok.

"Flashforward" by Robert J. Sawyer, 1999

"Flashforward" by Robert J. Sawyer, 1999

After the ABC TV hit-and-miss series Flash Forward came to a close, I was left quite unsatisfied. The
premise was so compelling that I decided to take up the book and to find out what actual happens and to get a sort of resolution or closure.

The basic premise of the book and the show diverge pretty radically. The TV show was a who-dunnit where the FBI was tracking down suspects who may have been involved in carrying out the event. In the book, the blackout/flash forward is simply an unforeseen byproduct of a science experiment involving CERN and the Large Hadron Collider. The experiment is being conducted by two scientists, Lloyd Simcoe (the only character in both the book and the TV show), and his assistant Theo Procopides.

The book certainly explores some interesting possible futures, including some fantastic advancements in technology. It also takes a hard sci-fi approach wherein the characters (almost all of whom are physicists), discuss various theories about whether or not the future is fixed or whether humans have free will. As a result the book delves into some interesting philosophical questions as well.

A subplot throughout involves Theo, who doesn’t have a vision of the future and quickly learns it is because he will have been murdered before the day the visions depicted. He then devotes himself to tracking down clues to his own murder.

I won’t give away the ending, though it was utterly fascinating. The book definitely had some dull moments, but in general it was a pretty fascinating “read.” The narrator, Mark Deakins, did an excellent job. If you’re a fan of the TV show prepare yourself for a very different experience. Unlike the TV show the book isn’t crawling with bad guys and there’s not a ton of action. But if you like hard sci-fi and thought-provoking existential material I think you’ll definitely enjoy Flash Forward.

My Rating: ★★★★☆ (4 out of 5 stars) - I really liked it.

Monday, August 17, 2015

"Immortality, Inc." by Robert Sheckley, 1959

"Immortality, Inc." by Robert Sheckley, 1959

A vintage 1950s science-fiction romp.

In short and particular, the story is of a man who finds suddenly finds himself in the future.  His mind is plucked out moments from death from a car crash in 1958, and placed in a new body in 2110. Thomas Blaine ventures out to learn and discover the society of 2110.

During his adventures, he is chased by poltergeists, zombies, and hunters. He is eventually joined by Marie Thorne, as a romantic interest that he later discovers had a hand in his death and reincarnation.

The plot twist at the end of the story is somewhat interesting and felt like a cheesy seance session. While loose ends are tied up, we also see a new beginning for Thomas and Marie in the life hereafter.

Despite lacking cohesion and possessing a rather run-of-the-mill action plot, Immortality, Inc., manages to touch on some thought-provoking ideas.  Thematically, the story concerns itself with the societal ramifications of the discovery that death is not the end of existence and nor does the Christian conception of the afterlife exist.

Because death lacks the same import and uncertainty that it once held societies opinions of it are transformed — it becomes a spectacle by the wealthy who want to go out in style, hunted by armed men on their lavish estates.


My Rating: ★☆☆☆☆ (1 out of 5 stars) - I did not like it.

You can read the book free online here: http://vk.com/doc-53516214_271610454

A pretty good book summary can be found here:

Immortality Inc. (Synopsis)
by Robert Sheckley
Synopsis by Paul Barry
The edition I read was a 1978 Ace Book - paperback

The book was first published in a shorter form as "Immortality, Delivered" in 1958.

The story was copyrighted as "Immortality, Inc." in 1959. The story was serialized in Galaxy Science Fiction Magazine, October '58 to February '59, under the title "Time Killers." There is a movie, "Freejack" that is loosely based on this story.

The story opens with Thomas Blaine driving down a New Jersey highway. He is returning to New York, where he works with a yacht-designing firm, after a week long vacation at his Chesapeake Bay cabin. Blaine suddenly loses control of his car and swerves into an on-coming vehicle. The story reads, "…At that moment he knew he was dying. An instant later he knew that he was quickly, commonly, messily, painlessly dead."

Blaine wakes up in a hospital bed, as the next chapter begins. He is in a room surrounded by medical personnel. They are commenting on his reactions to waking up, realizing he is still alive. Blaine also meets Marie Thorne. He views her as attractive but coldly professional. She too is interested in his responses. She tells him that his body has died but that they have saved his mind and given him a new body. She speaks of editing the tapes of his responses for Mr. Riley.

Marie Thorne comes back the next day. Blaine is rested and inquisitive. She has papers for him to sign. She wants him to release the Rex Corporation from any responsibility for saving his life. "…We saved you. But it's against the law to save lives without the consent of the potential victim's written consent. There wasn't opportunity for the Rex Corporation lawyers to obtain your consent beforehand. So we'd like to protect ourselves now." Blaine learns that the Rex Corporation is as well known as Ford Motors in his time. Blaine hears of Rex Power Systems, "… Which are used to power spaceships, reincarnation machines, hereafter drivers, and the like. It was an application of the Rex Power systems that snatched you from your car at the moment after death and brought you to the future." He learns that he is in the year 2110. It is apparent that he is to be the subject of a huge advertising campaign, touting Rex's success at bringing a man from the past.

In the next chapter, Blaine learns that Mr. Riley, the head of Rex decided against the advertising campaign. Mr. Riley is an old man soon to undergo the process of mechanically aided reincarnation. He is concerned that publicity about the man from the past might create trouble with the government that might interfere with his reincarnation.

Blaine is told that he is free to go.

Thomas Blaine heads out of the hospital in a new body in a new time. He wanders the city, amazed by all he sees. He finds a long line of citizens at a "Suicide Booth." He meets Carl Orc. Carl Orc persuades him to go on a night on the town. He goes to a club where rapidly growing plants are the entertainment (p. 40-41). He is introduced to the

process of transplant, in which he can take on the form of any other human (reminded of this idea in Mindswap.) Blaine is tricked, drugged and kidnapped. He wakes up in a small locked room. He is a prisoner, along with Ray Melhill. Melhill tells him of the black market in bodies. They are to be sent over into the afterlife, so that their bodies can be used. Melhill explains that life after death is understood in that time as a scientific fact. Blaine gets a briefing from Melhill (p51-54) on how life after death became a scientific fact. A Dr. Vanning and James Archer Flynn argued the point for years. Then Vanning suicided and came back to communicate with Flynn. There was a period known as the Crazy Forties (2040's) during which people knew no fear or limits. They were depraved and reckless. In 2050 the Vanning Institute announce findings that there was an afterlife, but not for everyone. Only about one in a million made it to the afterlife, according to the Vanning people.

Melhill goes on to say, "We got this high-tension energy web. When the body dies, that web should be able to go on existing, like a butterfly coming out of the cocoon. Death is simply the process that hatches the mind from the body. But it doesn't work that way because of the death trauma. Some scientists think that the death trauma is nature's ejecting mechanism, to get the mind free of the body. But it works too hard and louses up everything. Dying is a tremendous psychic shock, and most of the time the energy web gets disrupted, ripped all to hell. It can't pull itself together, it dissipates, and you're completely dead."(p55)

Melhill goes on to say, "…A lot of people did some heavy thinking, and that ended the Crazy Years.
The Vanning Institute went on working. They studied Yoga and stuff like that, but on a scientific basis. Some of those Eastern religions had the right idea. You know. Strengthen the mind. That's what the Institute wanted: a way to strengthen the energy web so it would survive the death process."

Melhill tells Blaine that around this time the Vanning Institute changed its name to Hereafter, Inc. He tells Blaine that the mind strengthening process is expensive. It is a complex electrochemical treatment. Blaine says, "So only the rich go to heaven." Blaine asks about Yoga and Zen. Melhill says that there are about dozen government approved home courses. But, it takes 20 years to become an adept. He indicates that such a plan is not for the ordinary guy, so without the machines, "You're dead."

Soon after their talk in the cell Melhill and Blaine are separated. Carl Orc comes and takes Blaine out of the cell. He is drugged. He comes too. Realizes he is still in the same body. Marie Thorne and Rex have bought him back from Orc. Blaine is taken to Mr. Riley. Riley says that taking Blaine from the past was a mistake. He offers to buy Blaine hereafter insurance. He asks Blaine to suicide. Blaine refuses, and is dismissed.

Blaine attends Riley's reincarnation ceremony. It is described as being a combination of an execution and a wedding ceremony. It is both religious and scientific. Father James from the "Church of the Afterlife" is present. Blaine learns of the debate of the 2040's: "…Some groups adopted the view that the newly revealed scientific hereafter was obviously not heaven, salvation, nirvana or paradise: because the soul was not involved."

"Mind, they held, is not synonymous with soul, nor is the soul contained in or a part of the mind. Granted, science had found a means of extending the existence of one portion of the mind-body entity. That was fine, but it didn't affect the soul at all, and certainly did not mean immortality or heaven or anything like that. The soul could not be affected by scientific manipulation. And the soul's disposition after the eventual and inevitable death of the mind in its scientific hereafter would be in accordance with traditional moral, ethical and religious practices."(p76)

Riley's reincarnation is a failure. Something interferes with the process. Riley is sent into oblivion. The host body's former resident, William Fitzsimmons was sent along to the afterlife. After a while the body is inhabited by an entity. It has been dead for too long so it is referred to as a, "Zombie." The Zombie declares that it knows Thomas Blaine. It walks off on its own.


Part Two of the story opens with the medical and religious people involved in the failed reincarnation attempt agreeing that no one is at fault. Blaine and Marie Thorne leave. He spends the night with her. They make love. He is off the next morning, job hunting. He realizes how unsuited his skills are for 2110. He is sent to a man who is also supposed to be from his time. He quickly realized that the man is a fraud. The man brushes him off quickly.

Blaine returns to his hotel room. He has a message to visit the 23rd Street Spiritual Switchboard. "Engraved above the door was the statement: 'Dedicated to Free Communication Between Those on Earth and Those Beyond.' Blaine entered the building and studied the directory. It gave floor and room numbers for Messages Incoming, Messages Outgoing, Translations, Abjurations, Exorcisms, Offerings, Pleas and Exhortations." Blaine's message is incoming, from Melhill.

As part of their conversation Blaine asks what dying was like. Melhill replies, "It was like exploding. I could feel myself scattering all over the place, growing big as the galaxy, bursting into fragments, and the fragments bursting into smaller fragments, and all of them were me." Melhill tells him, "I'm not in the hereafter yet, Tom. I'm in the Threshold. It's a preparatory stage, a sort of bridge between Earth and the hereafter. It's hard to describe. A sort of greyness, with Earth on one side and the hereafter on the other."

Melhill's message is to warn him about a ghost. Blaine thinks he means the Zombie. Melhill clarifies that there is another ghost. He is not clear about what kind. He tips Tom off to a job possibility before he fades away.

Tom Blaine goes to see Ed Franchel. Franchel hires "hunters for a "game." Franchel hires Blaine as a rifle and bayonet fighter. Blaine goes to meet Charles Hull and the other hunters. A lawyer, Jensen explains the legal issues around the hunt, "Yes, Mr. Hull, gentlemen, as to the present legality of the hunt: In accordance with the revised statutes to the Suicide Act of 2102, any man protected by Hereafter insurance has the right to select any death for himself, at any time and place, and by any means, as long as those means do not constitute cruel and unnatural abuse. The reason for this fundamental 'right to die' is obvious: The courts do not recognize physical death as death per se, is said death does not involve the destruction of the mind. Providing the mind survives, the death of the body is of no more moment, legally, than the sloughing of a fingernail."

Hull then dismisses Jensen. He tells the hunters another rule, which is illegal. He tells them that he plans to try to kill them too.

Blaine leaves with the plan of returning the following Sunday for the hunt. He sees Franchel for his
gear. He goes to a bar. While he is drinking, the Zombie visits him. The Zombie calls himself Smith. He says that Blaine is important to him, but he hasn't figured out why yet. He plans to keep Blaine safe until he does. Blaine gets angry and punches Smith. He damages Smith's face.

Blaine goes to the hunt. It is at Hull's estate in the Adirondack Mountains. Hull kills a couple of hunters. He almost kills Blaine. Another hunter, Sammy Jones, an axeman, kills Hull.

At the end of Part Two and the beginning of Part Three, Blaine is attacked in his hotel room by a poltergeist. Blaine is rescued by Smith, the Zombie. The poltergeist follows them to the street. Blaine can hear its maniacal laughing. Smith takes Blaine underground to the Zombie colony. There are 1,500 Zombies living underground in New York.

Blaine and Smith are permitted through the Zombie Colony. They go to Riley's Palace of Death. It is somewhat like a mummy's tomb. It has many valuables. Smith is convinced that the poltergeist is Riley. Smith begins to destroy Riley's belongings in the crypt. Riley speaks up. Riley confirms that he is hunting Blaine. Riley calls Blaine a murderer and accuses him of interfering with Riley's reincarnation attempt with his, "evil murdering mind." Riley tells Blaine that he will be betrayed and will die by his own hand.

Blaine goes back to see Marie Thorne. She advises him to go as far from New York as he can. He does not. He gets a job with a yacht building firm. He rises to the approximate position he held in the 1950's. He is on the street one day, when a woman seems to be staring at him. They speak; she recognizes the body as that of her husbands Frank Kranch. They spend some time together, and make love. It is not good for either of them. They part at the end of chapter 23.

A few days later Blaine gets another call on the switchboard from Ray Melhill. Melhill warns him about Marie Thorne. He tells Blaine not to trust her. Blaine has two visitors to his apartment. One is an old woman from the, "Old Church." She warns him that the hereafter being offered by Hereafter, Inc. is evil. Later a Mr. Farrell visits. He makes a long speech to Blaine (pp 195-198) addressing the issue of the afterlife. He concludes by saying that he tries, himself, to keep an open mind. Farrell offers him a grant for Hereafter insurance. He accepts, and goes through the procedure. Marie Thorne calls him and warns him that Farrell will call. He tells her it is too late. She tells him that Rex Corp. owned the company that offered the grant.

She says, "Tom, it's the Permitted Murder section of the Suicide Act. They're going to invoke it…I'm talking about the section of the Suicide Act that makes host-taking legal. Rex has guaranteed the survival of your mind after death, and you've accepted it. Now they can legally take your body for any purpose they desire. They own it. They can kill your body, Tom."

So the chase is on. He goes into the hallway. Sammy Jones is there. Sammy gives him one chance to run. As Part Three ends and Part Four begins Blaine again meets Smith, in the Zombie Colony. This time the Zombies won't let him pass. It is too risky for them to help him.

Ray Melhill contacts him one more time. Tells him a location to go to. He goes to see Carl Orc again. This time Carl Orc helps him. He uses a machine to move Tom's mind across country through a succession of bodies. Tom is on his way to the South Seas.

Blaine arrives in the Marquesas Islands. He is led to a hotel room. Marie Thorne is there. He begins a life with her there. The Zombie formerly known as Smith arrives. He has realized who Blaine is to him. He was Robinson. The driver of the vehicle that Blaine crashed into in 1958. Robinson was caught up in the power that brought Blaine to the future, but had no body host to go to. He lingered in the Threshold, until Riley's reincarnation attempt.

Blaine learns that Rex actually caused his accident. Marie had a role in it. He also recognized about himself that he wanted to kill the other driver. He had a flash of murderous impulse. He decides to give Robinson his body. They go together to a suicide booth. Blaine "moves on." He finds himself on the Threshold. Marie is also there. They move on together into the hereafter.

Wednesday, June 17, 2015

"Torchwood: Mr. Invincible" by Mark Morris, 2012

"Torchwood: Mr. Invincible" by Mark Morris, 2012

Probably better named as "Captain Jack: Mr. Invincible." The usual Torchwood crew seems to be missing in action, with the exception of brief mentions of Rhys, Gwen, and PC Andy (now SGT), in this story.

Jack has a vision of Gwen's death and returns home. Jack pairs up with SGT Andy with the intent of preventing Gwen's portended demise.

Meanwhile, Jack becomes involved with Andy's cases involving various types of unexplained events-- bank robbery thwarted by a seemingly invincible, pockets of time distortions popping up in Cardiff and aging residents rapidly or turning them into boys.

In the end, Jack determined all the cases are linked to each other, deduced the true cause of the manifestations and found a solution to neuter the source.

The story is true to Torchwood and Captain Jack and came across as an episode on the telly.  The short and abrupt ending seemed rushed and the solution wimpy.  With that aside, and taking the short length of this story into account, I think Torchwood fans would find this enjoyable and fun.

My rating: ★★★☆☆ (3 out of 5 stars) - I liked it.




Description from Goodreads.com

Ross Chapman is one of life's losers. So when he survives a point-blank shooting, dons a superhero costume and becomes a crime-busting vigilante, something strange is clearly going on.

And Ross's transformation isn't the only odd thing happening in Cardiff. Time is distorting — around the city, some people are aging, dying and decomposing in a matter of minutes, while others are reverting to childhood.

Sgt Andy Davidson knows he's out of his depth — so when Jack Harkness sweeps into the police station, he's glad of the help that only Torchwood can provide. But for Jack, the stakes are higher than ever. He's seen a vision of Gwen, dead, murdered by an unknown gunman. And if he can't solve the mystery of Mr Invincible, he can't save her...