"Parasite (Parasitology #1)" by Mira Grant, 2013

"Parasite (Parasitology #1)" by Mira Grant, 2013

In Parasite, Mira Grant imagines a near future in which genetically modified tapeworms are a universal health-care solution. Once implanted, the worm provides immune-system support, making its human host healthy for the duration of its life — though like any good piece of commodified progress, the worms have planned obsolescence and need to be replaced regularly.


Sal Mitchell owes her life to her parasite, which brought her out of a coma after a serious car accident. Unfortunately, her memories vanished, and her current personality is only 6 years old. She lives a life that's half lab rat and half surreal puberty, living at home, dating a doctor (though not one of hers), and relearning language and social idiosyncracies in a treading-water existence. Something's got to give — and does; people start contracting a bizarre sleepwalking sickness just as Sal starts getting cryptic messages about what she already suspects. This pandemic is no accident.

As the first of a series, Parasite often feels like groundwork: characters are dutifully introduced, horrors steadily unrolled, and ethical arguments sedately hashed out, so that even increasingly frequent zombie outbreaks can't stir up real urgency. An Everyperson can be a compelling center for a conspiracy story — but Sal's so slow on the uptake that we figure out plot twists far ahead of her. The suspense often stretches thin, and some of the most promising thematic parallels fizzle out in service of the plot. And though it's a refreshing change for a thriller heroine to have a trustworthy boyfriend, many others in the supporting cast — the awkward family, the stalwart dog, the mysterious CEO, the mysterious scientist, the quirky girl — never quite come into focus.

Parasite succeeds most in capturing the frustration and administrative dread that's part and parcel of recovering from a traumatic medical incident. Being exposed to a zombie pandemic seems less dangerous to Sal than having to undergo the subsequent poking and prodding by indifferent doctors; it's a well-grounded medical wariness that gets at the heart of what the Parasitology series is.

My rating ★★☆☆☆ (2 out of 5 stars) - It was ok.

The Handmaid's Tale, by Margaret Atwood, 1984

The Handmaid's Tale, by Margaret Atwood, 1984

Synopsis:
It is the world of the near future, and Offred is a Handmaid in the home of the Commander and his wife. She is allowed out once a day to the food market, she is not permitted to read, and she is hoping the Commander makes her pregnant, because she is only valued if her ovaries are viable. Offred can remember the years before, when she was an independent woman, had a job of her own, a husband and child. But all of that is gone now…everything has changed.

Review:
I found The Handmaid’s Tale to be one of the compelling books I’ve read and definitely one of my top choices of this year so far.

In a world that has reverted back to a day where totalitarianism is commonplace and accepted, women known as “handmaids” are given (literally) to elite couples that are unable to have children, with the sole purpose of reproducing for them. If they do not fulfill this purpose, they are sent to the “colonies” to either work in agriculture or clear up toxic pollution, which eventually kills them. Patriarchy is at the root of all laws and so the freedom of all women, not just handmaids, is severely restricted. There is severe punishment (including death) for those who disobey.

Absolutely nothing in the novel was unbelievable, which is mainly why it is so terrifying. Atwood writes about some circumstances that may seem extreme and distant to us but are currently present in “other” countries and societies. Atwood has then applied these circumstances to a futuristic United States. This enables us to fully grasp the implications of control of freedom, especially sexual freedom, because whether we admit it or not, the events that bring out the most emotion in us are those that happen to us directly. 

Another reason is that the novel is also extremely intelligent. I couldn’t help but notice that every phrase, every word, every object, every character, every dialogue had its purpose. Nothing was there without good reason, from finding out that Offred’s name is not just oddly futuristic (“Of Fred” as in “Property of Fred”) to describing a football stadium and redbrick walls (as way of showing that the story is set near an abandoned Harvard University).

I recommend this book. It’s brilliant.

My Rating: ★★★★★