The Lottery, by Shirley Jackson, 1948
This a lottery you don't want to win.
The story describes a fictional small town which observes an annual ritual known as "the lottery", which results in the killing of one individual in the town.
"The Lottery" has been described as "one of the most famous short stories in the history of American literature"
My rating: ★★★☆☆ (3 out of 5 stars) - I liked it.
You can read the short story here:
http://fullreads.com/literature/the-lottery/
Wednesday, June 27, 2018
Tuesday, June 19, 2018
The Long Way to a Small, Angry Planet (Wayfarers #1), by Becky Chambers, 2014
The Long Way to a Small, Angry Planet (Wayfarers #1), by Becky Chambers, 2014
The Long Way to a Small, Angry Planet is a story set in the far future. Rosemary Harper is running from her past, so she joins the crew of the Wayfarer, a ship that tunnels wormholes across the galaxy with its diverse crew of aliens. The crew is offered the chance of a lifetime: a new race is joining the Galactic Commons and the wormhole that needs to be tunneled will make them very wealthy, even if the job takes longer than usual. En route to the planet, the crew encounters a series of mishaps and hazards that bring them closer together. But the denizens of the planet might not be as keen to join the Commons as they initially seemed...
If plot's your thing, this may not be the book for you. This book is all about the journey and very much not about the destination. The book is more a series of vignettes focusing on each character, loosely threaded together by the fact that all the vignettes occur while en route to this planet to tunnel a wormhole.
In fact, the character diversity in this book is stunning. It's a frequent, if disappointing, trope in science fiction that alien races are simply re-skinned humans. They're not actually alien. But Chambers handles her alien races with a deft hand. Each race is distinctly different, with its own culture, language and variant physiology. We get everything from a feathered reptilian species to a species with two sets of vocal chords that changes gender mid-life to a sloth-like species with a willingly contracted virus that shortens their lifespans but grants them enhanced perception and mathematical abilities. And I've only scratched the surface here. The meticulous attention to species creation would set this book apart on its own.
Yet on top of that, Chambers juggles a large cast of main characters, managing to draw a compelling, three-dimensional picture of each one. As I said above, the story is told in vignettes, with each vignette focusing in on a particular character. None of them are skipped, and each one gets a chance to shine (even the curmudgeonly algaeist). Rosemary is technically our main character, but she really only feels that way in the early portions of the book as introductions are made; afterward, it's one of the best ensemble casts I've ever seen.
The worldbuilding too is well-executed. Chambers' future has weight and history, but also a fleshed-out set of cultures that permeate everything the characters do. It would've been easy to go thin on the worldbuilding since most of the book takes place on a ship, but instead the world enhances the emotional journeys of the characters.
In the end, the pacing is rather uneven as a result of the vignette style. But I'd still recommend this book as a shining example of character work and for its core message that family doesn't have to be who we're born with - we can choose our family too.
My rating: ★★★☆☆ (3 out of 5 stars) - I liked it.
"Replay", Ken Grimwood, 1986
"Replay", Ken Grimwood, 1986
The book’s plot is reasonably simple, if fantastic — a 43 year old man dies in the first chapter of a heart attack after a lackluster life. But then he wakes up and he’s age 18 again, just starting college with everything identical to how it had been during his first life. More important, he remembers everything about his life from age 18 to 43 (anyone interested in buying some Apple stock this time around?).
He uses that prior knowledge of his own life as well as his knowledge of history to live his life differently the second time around. But when he gets to be the same age as before, he dies again. He wakes up again … rinse and repeat with a different life strategy each time. But there is one complication he doesn’t notice at first — each time he wakes up after a death, it is a later point in his life. So each life is shorter than the one before. What is going to happen when his replay-date finally catches up to his death-date?
I not only enjoyed the writing style but also the author’s imagination. How many things would you change if you had the opportunity to live your life again? We make decisions, we begin or end or avoid relationships, we commit (or not) to various activities and people, we decide how important money, family and friends are to us. But in the end, the only important resource we really have in our life is time, and the only meaningful decisions we make are how to spend that time in the best way to have a life that is rewarding in our own value system.
Unfortunately Ken Grimwood died at only 59 of (ironically) a heart attack as he was writing the sequel to Replay.
My rating: ★★★★☆ (4 out of 5 stars) - I really liked it.
_________________________________________
https://en.wikipedia.org/wiki/Replay_(Grimwood_novel)
Characters and story[edit]
Replay is the account of 43-year-old radio journalist Jeff Winston, who dies of a heart attack in 1988 and awakens back in 1963 in his 18-year-old body as a student at Atlanta's Emory University. He then begins to relive his life with intact memories of the next 25 years, until, despite his best efforts at cardiac health, he dies of a heart attack, again, in 1988. He immediately returns to 1963, but several hours later than the last "replay". This happens repeatedly with different events in each cycle, each time beginning from increasingly later dates (first days, then weeks, then years, then ultimately decades). Jeff soon realizes that he cannot prevent his death in 1988, but he can change the events that occur before it, both for him, and for others.
During one subsequent replay, Jeff takes notice of a highly acclaimed film, Starsea, that has become a huge success at the box office in 1974. The film is written and produced by an unknown filmmaker, Pamela Phillips, who has recruited Steven Spielberg to direct and George Lucas, as a special effects supervisor, before the two shot to stardom with their own projects. Because the film did not exist in previous replays, Jeff suspects that Pamela is also experiencing the same phenomenon. He locates her and asks her questions about future films which only a fellow replayer would know, confirming his suspicions.
Pamela and Jeff eventually fall in love and become convinced that they are soulmates. Complications arise when they notice that their replays are getting shorter and shorter, with Pamela not beginning her next replay until well after Jeff. Eventually, the two decide to try to find other replayers by placing cryptic messages in newspapers. The messages, which seem very vague to anyone who is not a replayer, generate a fair amount of dead-end responses until the pair receives a letter from a man who is clearly knowledgeable about future events. Jeff and Pamela decide to visit the stranger, only to discover that he is confined to a psychiatric hospital. Surprisingly, the staff does not pay attention to his discussion on the future, but it soon becomes clear why the man is institutionalized when he calmly states that he thinks aliens are forcing him to murder people for their own entertainment.
In a later replay, the two decide to take their experiences public, giving press conferences announcing future events in explicit detail. The government eventually takes notice and forces Pamela and Jeff to provide continued updates on foreign activities. Although the government denies responsibility, major political events begin to transpire differently, and Jeff attempts to break off the relationship. The government refuses, and the pair are imprisoned and forced to continue providing information.
As future replays become shorter and shorter, the two are left to wonder how things will eventually unfold—whether or not the replays will ultimately end, and the pair will pass into the afterlife—or if the current replay is, in fact, the last. Eventually, the replays become so short, Jeff and Pamela relive their original deaths repeatedly in succession—until Jeff finally has a heart attack which he manages to survive. While he calls Pamela soon afterward, she lets him know that she has also survived, and that their replaying wasn't a dream. While it seems ambiguous whether or not they will meet again, Jeff eagerly awaits entering an unpredictable future with endless possibilities.
Awards and nominations[edit]
Replay won the 1988 World Fantasy Award[2] and was on the shortlist for the 1988 Arthur C. Clarke Award.
The novel has been included in several lists of recommended reading: Modern Fantasy: The Hundred Best Novels (1988), Locus Reader's Poll: Best Science Fiction Novel (1988), Aurel Guillemette's The Best in Science Fiction (1993) and David Pringle's Ultimate Guide to Science Fiction (1995).
Sequel and possible film adaptations[edit]
Ken Grimwood was working on a sequel to Replay when he died from a heart attack in 2003 at the age of 59.[3] In 2010 Warner Bros. reported that it was planning on a film version starring Ben Affleck. The screenplay for this adaptation has been written by Jason Smilovic.[4] In 2011 Robert Zemeckis was in talks to direct,[5] but as of 2017 no movement seems to have been made on the project.
Monday, June 4, 2018
"Patternmaster (Patternmaster #4)", Octavia Butler, 1976
"Patternmaster (Patternmaster #4)", Octavia Butler, 1976
Patternmaster introduces us to a future in which humanity, through selective breeding, has produced a race of telepaths. (The origins of this future are detailed in the grim and compelling Mind of My Mind.) Far from creating a blissful paradise on Earth, this has led to a tense society in which the most powerful telepaths control those less powerful, as well as non-telepathic humans they call "mutes," through a link called the Pattern. Humanity, by evolving this direction, has reverted to many purely animal instincts. Patternist leaders, called Housemasters, usually have no choice but to kill outright anyone of comparable ability that might challenge their authority. Though strict laws are in place forbidding wanton abuse of power, especially towards mutes, these are commonly flouted. Nations and governments as we know them no longer exist. The law of the jungle has returned full force.
Underscoring the metaphorical link to animal instincts is Butler's use of the Clayarks, grossly mutated (they look like sphinxes) posthumans of no telepathic ability, the descendants of an aborted attempt by mutes to flee Earth in a starship. Now the Clayarks wander the landscape in loose tribal groups, sometimes alone, preying upon Patternists, who in turn live in terror of infection by the "Clayark disease," the genetic anomaly that mutated Clayarks in the first place.
The plot concerns a young Patternist named Teray, one of the many sons of Rayal, the current Patternmaster. Teray finds himself under the rule of Coransee, a powerful Housemaster who appears to be first in line to succeed the ailing Rayal. Coransee fears that Teray has the power to challenge his succession, and demands that Teray allow himself to be controlled, preventing his power from ever growing to dangerous degrees. Coransee even promises Teray his own House. Teray refuses and vows to escape Coransee — which he soon does, in the company of a healer, a woman named Amber — to seek sanctuary with Rayal. But Coransee isn't about to take that lying down.
The premise doesn't bear close logical scrutiny. If Coransee were really concerned about Teray's
power, he could have killed or controlled the young man with little effort right at the novel's opening. Why even ask? (Well, we wouldn't have gotten a book out of it, then.) Butler's characterizations are good. But in the end Patternmaster seems little more than a grim anti-superhero story. The narrative becomes an exercise in waiting for the foregone conclusion, the inevitable duel to the death between Coransee and Teray. This problem even hampered Mind of My Mind, but in that book, Butler had a much better grasp of both her themes and of how to write suspense. Here, her themes get confused. For a while, it looks as though Butler is telling a metaphorical odyssey about the evils of slavery. But all that dissipates when you realize Teray doesn't want to unravel Patternist society and free everyone from mental tyranny. He'd just rather see himself as Patternmaster instead of Coransee. And Teray doesn't hesitate to use his powers to control others when he gets the chance.
Also, there's just lots of killing going on in this book, of the grisliest sort. Ironically I found myself sympathizing the most with the dreaded Clayarks, whom Butler depicts as a mass of mindless animals bent on wiping out Patternists for reasons she never adequately explores. The book loses a lot of depth because Butler never explains the Clayarks' actions. In fact, she makes a big mistake in having Teray encounter and actually speak to one early in the book. There's an entire missed plot opportunity here Butler never follows through, and this one instance of humanizing the Clayarks, far from making them more fearsome, actually allows the reader a bit of empathy. Which doesn't go down well when you see how our supposed heroes deal with the Clayarks later on.
Butler's Patternist novels get much better than this one, and there's nothing surprising about the earliest work of a fine writer not being among their best. Though Patternmaster can probably be overlooked, Octavia Butler is a novelist you shouldn't.
My rating: ★★★☆☆ (3 out of 5 stars) - I liked it.
Patternmaster introduces us to a future in which humanity, through selective breeding, has produced a race of telepaths. (The origins of this future are detailed in the grim and compelling Mind of My Mind.) Far from creating a blissful paradise on Earth, this has led to a tense society in which the most powerful telepaths control those less powerful, as well as non-telepathic humans they call "mutes," through a link called the Pattern. Humanity, by evolving this direction, has reverted to many purely animal instincts. Patternist leaders, called Housemasters, usually have no choice but to kill outright anyone of comparable ability that might challenge their authority. Though strict laws are in place forbidding wanton abuse of power, especially towards mutes, these are commonly flouted. Nations and governments as we know them no longer exist. The law of the jungle has returned full force.
Underscoring the metaphorical link to animal instincts is Butler's use of the Clayarks, grossly mutated (they look like sphinxes) posthumans of no telepathic ability, the descendants of an aborted attempt by mutes to flee Earth in a starship. Now the Clayarks wander the landscape in loose tribal groups, sometimes alone, preying upon Patternists, who in turn live in terror of infection by the "Clayark disease," the genetic anomaly that mutated Clayarks in the first place.
The plot concerns a young Patternist named Teray, one of the many sons of Rayal, the current Patternmaster. Teray finds himself under the rule of Coransee, a powerful Housemaster who appears to be first in line to succeed the ailing Rayal. Coransee fears that Teray has the power to challenge his succession, and demands that Teray allow himself to be controlled, preventing his power from ever growing to dangerous degrees. Coransee even promises Teray his own House. Teray refuses and vows to escape Coransee — which he soon does, in the company of a healer, a woman named Amber — to seek sanctuary with Rayal. But Coransee isn't about to take that lying down.
The premise doesn't bear close logical scrutiny. If Coransee were really concerned about Teray's
power, he could have killed or controlled the young man with little effort right at the novel's opening. Why even ask? (Well, we wouldn't have gotten a book out of it, then.) Butler's characterizations are good. But in the end Patternmaster seems little more than a grim anti-superhero story. The narrative becomes an exercise in waiting for the foregone conclusion, the inevitable duel to the death between Coransee and Teray. This problem even hampered Mind of My Mind, but in that book, Butler had a much better grasp of both her themes and of how to write suspense. Here, her themes get confused. For a while, it looks as though Butler is telling a metaphorical odyssey about the evils of slavery. But all that dissipates when you realize Teray doesn't want to unravel Patternist society and free everyone from mental tyranny. He'd just rather see himself as Patternmaster instead of Coransee. And Teray doesn't hesitate to use his powers to control others when he gets the chance.
Also, there's just lots of killing going on in this book, of the grisliest sort. Ironically I found myself sympathizing the most with the dreaded Clayarks, whom Butler depicts as a mass of mindless animals bent on wiping out Patternists for reasons she never adequately explores. The book loses a lot of depth because Butler never explains the Clayarks' actions. In fact, she makes a big mistake in having Teray encounter and actually speak to one early in the book. There's an entire missed plot opportunity here Butler never follows through, and this one instance of humanizing the Clayarks, far from making them more fearsome, actually allows the reader a bit of empathy. Which doesn't go down well when you see how our supposed heroes deal with the Clayarks later on.
Butler's Patternist novels get much better than this one, and there's nothing surprising about the earliest work of a fine writer not being among their best. Though Patternmaster can probably be overlooked, Octavia Butler is a novelist you shouldn't.
My rating: ★★★☆☆ (3 out of 5 stars) - I liked it.
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